Creating During a Pandemic: Hollis Chitto

First American Art, April 3, 2020

Chitto’s beadwork ... is catching the attention of collectors, galleries, museums, and publications like Vogue magazine. Visually satisfying and dazzling all at the same time, the work is infused with sophisticated designs and color palettes. Each piece exhibits impressive precision.

Kat Kinnick at Hecho a Mano

Pasatiempo, March 20, 2020

A reverence for nature permeates the work of artist Kat Kinnick, whose depictions of New Mexico wildlife are rendered with an expressive, playful aesthetic. Kinnick’s works combine reductive landscape elements and detailed realism.

VIDEO: Kat Kinnick

Depicting wildlife and wilderness of the high desert of New Mexico, Kat Kinnick works to create a culture of fondness & connectedness to our natural world. The artist says, “creating culture through art is like creating a value system. My work represents my heart and my values. I feel that if we paid better attention to our wild plants and animals, and were more connected to them, then we’d live in a healthier world.”

Lindsay Locatelli Artist Profile

Twin Cities PBS

Lindsay Locatelli creates jewelry pieces that resonate with her as an artist, often flying in the face of the mainstream jewelry market. Using polymer clay as her medium, Locatelli’s jewelry is bold, colorful and eye-catching.

Prints and Poppers

Santa Fe Reporter, February, 2020

"I made these [works] out of a love for the wildlife of New Mexico and their exquisite beauty. I feel at home here in New Mexico," Kinnick tells SFR. "A big part of that comes from my love for plants, landscape and wildlife."

Alfonso Barrera & Polvoh Press

Quixe, February, 2020

The work of Polvoh Press is noble since, by resorting to traditional printing and binding methods, it leads to each book telling not only a story through graphics, but of elaboration itself. Alfonso Barrera and Mirel Fraga are young people who travel to the production methods of the past to communicate their ideas and aesthetic bets.

Carlos Mérida

ARTFORUM, January, 2020

"Matte colors—forest green, banana yellow, tan, cobalt blue—swirl beneath thick black lines, accentuating forms that slip in and out of coherent representation: almost-fetal twins, snakes, rivers, legs, a lightning bolt, faces in profile, pipes, and birds."

Taking a bow: Gallery owner Frank Rose

Pasatiempo, January, 2020

"For the majority of his career, he’d been working for other people, and he felt he couldn’t really show the work he wanted to show, or maintain creative control, unless he had a space of his own."

A Weekend in Santa Fe

Forbes, January, 2020

Two newer galleries – Hecho a Mano and Cielo Handcrafted – have beautifully curated collections from emerging local artists."

Revisiting the Popol-Vuh

Santa Fe Reporter, December, 2019

"In certain ways, [Mérida's version] is more accurate," Hecho a Mano owner Frank Rose tells SFR. "They're living stories. So putting it into a visual form puts it back into seeing this abstract realization of these characters, these beings."

Polvoh Press

Idilica Magazine, December, 2019

Polvoh Press is a publishing project that brings together multiple graphic printed publications in various techniques, ranging from digital printing and offset to the more elaborate, such as screen printing, lithography, Risograph and movable type. All are limited editions and made in Oaxaca. Polvoh consists of Mirel Fraga (designer and illustrator) and Alfonso Barrera (visual artist). As two people are eager for knowledge and gather images begin naturally just for the sake of collecting books and in 2012 formally began this project give as a platform to spread their artistic work.

You Can Buy Art

Santa Fe Reporter, November, 2019

Hecho a Mano owner Frank Rose has just opened Grabados Oaxaqueños, a collection of prints from printmakers based in in Oaxaca, Mexico. The show is indicative of Rose's overall style, namely, he mainly shows hand-done prints (hence the gallery name) and often works with Mexico-based printmakers, but it also proves another tenet by which he has run his business since it opened seven months ago: his entry level price points are affordable.

Coffee & Culture with Richard Eeds

KTRC Radio, November, 2019

Hecho A Mano, A Gallery on Canyon Road with Owner, Frank Rose

Flowering Oaxacan art form comes to Santa Fe

Albuquerque Journal North, October, 2019

Many Santa Fe collectors of folk art are familiar with Oaxaca, Mexico, because of its brightly colored wood carvings of animals, reptiles and fantastical creatures known as alebrijes, as well as for its black pottery and Zapotec rugs. But if Frank Rose gets his way, Oaxaca will gain more recognition in New Mexico for its printmaking.

Pop Objects

Santa Fe Reporter, September, 2019

Lechtenberg shows his jewelry at Canyon Road's Hecho a Mano Gallery this week alongside Will Rimel, a ceramicist, in Funko Roasto, a sendup of popular toys but a staggering duo show at the intersection of tongue-in-cheek and fine art.

Open Call: Regalos

Holiday Small Works Show

Hecho a Mano invites artists to submit work for Regalos, a winter sale and show of small ceramics, one-of-a-kind jewelry, and works on paper opening November 29th and running through January 1.

The Seven-Stop Shopping Guide to Santa Fe

Condé Nast Traveler

As the name suggests, everything at the eight-month-old Hecho A Mano gallery is made by hand. A few examples? Delicate silver necklaces by Anna Johnson fashioned from rodent jaws, rainbow moonstones, titanium hematite, and cast wildflowers; large-scale hand-cut paper works by Apache and native Hawaiian artist Ian Kuali’i; curvy ombre vases from gifted ceramicist Heather Bradley; and hubcap-sized clay comals from Colectivo 1050º, a brand representing indigenous potters from Oaxaca.

Anna Johnson: Honoring Nature Through Adornment

Metalsmith, Vol. 39, #3

“ My jewelry is in trubute to holistic life cycle, intra-nature relationships, and nature-human connectivity.”

Artist We Love: Native Beadworker Hollis Chitto

New Mexico Magazine, August, 2019

“ In the beginning of my career, I was focused on making things beautiful. I wasn’t concerned with incorporating conceptual or abstract elements—until I created a piece for the Abbe Museum’s Twisted Path series, in Maine, which focuses on the theme of health and well-being in tribal communities.”

Talismans for the sacred mountain: Artist Ian Kuali'i

Pasatiempo, August, 2019

“What’s happening right now in Hawaii, our family and our nation are trying to protect our sacred mountain, Mauna Kea,” he said. “It’s part of our creation story,” he said. “It’s where Papa and Wakea, the heavens and the earth, converged and then created human existence, or life as we know it. But our religion aside, how can you justify building an 18-story structure on a culturally sensitive place in a conservation district?”

Preview: Ian Kuali'i

THE Magazine, August, 2019

"I wanted to figure out a way to develop my own visual language that spoke to my Native Hawaiian culture—and how personal that is, too, as a modern Hawaiian."

Frank Rose at SFAI140

July, 2019

"I’m not particularly interested in the debate over whether or not craft is art but I suggest that we look at the way we hierarchically categorize objects and seriously question where those values come from and what those values promote."

Best Canyon Road spots you maybe haven’t visited just yet but you really should

Santa Fe Reporter, July, 2019

Recent shows from Santa Fe's Terran Last Gun (Amskapi Piikani) and Dallas' Ben Muñoz were stunning and accessible, and the cozy environs of the space make it feel more homey than stuffy.

Ian Kuali'i

Albuquerque Journal North, July, 2019

Ian Kuali’i fell in love with the process of the cut. It started with stencil-making, when the Hawaiian artist with a graffiti background decided to pursue a professional career. But rather than using stencils for spray-painting, he became more interested in them as the actual art form.

Meet Your Makers:

Lindsay Locatelli

Lindsay Locatelli's works are created solely by hand by using a wide variety of materials and techniques, making each piece one-of-a-kind. Locatelli’s processes include the hand fabrication of silver components, sculpting and carving of materials (wood and polymer clay), surface finishing (painting, application of gold leaf), and the assembling and completion of the work.

Chris Casey

New Mexico Magazine, July, 2019

From Albuquerque, Chris Casey creates both whimsical and precise designs in his ceramics, no two of which are the same.

Hecho a Mano Video

Many thanks to Julian Fox, Paris Mancini and Marcos Lion for creating this fun video!

Ben Muñoz

D Magazine, May, 2019

The “Endless Endeavor” series took him more than a year to complete. Each panel represents a different chapter in the evolution of Muñoz’s family, from the emigration of his paternal grandfather, Alberto, to the birth of his daughters, Jane and Florence.

Meet Your Makers:

Alison Jean Cole

The greatest joy of working with rocks and minerals is collecting the material - my "job" is to drive out as far as I can on dirt tracks to canyons and abandoned mines to look for treasure.

Terran Last Gun

Santa Fe Reporter, May 29, 2019

As for the decision to use serigraphs (an ink-on-paper technique similar to silk screening, the most famous of which may be Warhol's portrait of Marilyn Monroe or his Campbell's Soup can), Last Gun says the he finds the medium enticing as a piece of labor-intensive fine art, as a way to make multiple original editions by hand, and as a great artistic leveler.

Meet Your Makers:

Bianka Groves

Bianka Groves' work is simple and calm; it is intended to add balance to a fast-paced world. There is a bold contrast between the white of the porcelain and the incised black lines, but her sense of touch is very delicate. Each piece shows Groves’ hand at play.

Hecho a Mano Opening

Santa Fe Reporter, March 27, 2019

"What I'm kind of aiming for is summed up in the name of the business: Hecho a Mano; handmade. My aesthetic is fairly intuitive, and I think right now one of the things that's important to me in connecting makers with the objects with the viewer or buyer."

Hecho a Mano Opening

Albuquerque Journal, March 24, 2019

“I think so many times art can get disassociated from its maker,” said Rose. “And we tend to see it in a vacuum because a lot of places don’t connect the artist to the maker. You see the object and it’s great, but somebody made that. So, Hecho a Mano is sort of a call to that ethos. That somebody made this; this was made by hand. I don’t want a lot of things to be under glass. I want people to be able to touch things. I want that connection.”

José Guadalupe Posada and the Myth of the Revolutionary

If anything, Posada’s works repudiate rebellion of any kind.

Daniel Hernández

Santa Fe Reporter, February 5, 2019

"The concept that exists in Mexican culture of death not as something tragic, but as something inherent in us, that exists—that remains reason for celebration," Daniel Hernández says.

Colectivo 1050

New York Times, October 12, 2018

"The act of turning earth into clay and transforming its properties with fire — is one of humankind’s earliest inventions. ...In the Mexican state of Oaxaca City, there are around 70 villages in which the majority of people make and sell pottery. Apart from Santa María de Atzompa, which uses a green glaze, and San Bartolo, where the clay is fired to black, the pottery in this region is simple, drab brown and mostly unadorned: not the kind of thing outsiders get worked up about."